The above post show’s The Old Bar Gallery space and the works on show but I thought I’d also let you see the individual works themselves. Pretty much everything on show is available for sale. If you’re not in Melbourne then feel free to email me (alexandeverything at gmail dot com) and we can make it happen.
So at the moment my world is fast filling up with all the things I need to organise for my solo art show in Melbourne opening next month at The Old Bar in Fitzroy.
Now this is a good thing but also it leaves me little time for distractions and I love a good distraction. Add to this some of my friends who have seen what I’ve been working on behind the scenes lately have had very positive feedback and so last week I thought I’d take a bit of time out to make an artist book. Here it is and it’s titled How Do You Sleep?
There is a undercurrent of thoughts that link a lot of my latest woodcuts, that and my somewhat erratic sleeping pattens of late have culminated in the images and contents of this book. I have handmade it as a concertina style book with a hardback outer cover. It’s a nice size in the hand at 21 x 21cm and I have made it in an edition of 23 copies.
Above is my work bench over the last couple of days, basically all that paper, tape and cardboard eventually gets distilled down to this (just like magic)…
It’s for sale HERE in my Etsy shop.
Thanks for reading.
Skateboard decks – a popular canvas for people to decorate, paint, design or simply draw upon. It was my good friend Matt Brady who I can thank for helping get me into decorating skateboard decks as much as making woodcuts. Long before I got a handle on relief printing as an artistic medium I was experimenting on carving decks. The above photo has at the top the second ever woodcut I tried back in May 2008 and at the bottom the latest one I carved last week – both went a new home at True North in Melbourne last week.
Not carved as a printing matrix but as I sculpted illustration. I have to admit I do not really enjoy illustrating decks. The wood is so hard it hurts my hands (treated Canadian Maple), the wood surface is convex which makes correctly angling the carving blade tricky. Still they look really cool and while I repeatedly tell myself upon finishing a deck that it will be my last, I keep coming back to do more. I love the True North deck above. Like old-school tattoo flash with the tinted woodgrain showing up through the white inked surface.
I have only just by writing this post realised that I have actually done ten decks to date. I can’t help but think that deck No.11 probably isn’t far off…
So this is how I spent 2013. If you didn’t see me, well it is because I was at home doing this!
31 woodcuts in total. 2 artist books, 1 zine, a 10″ Ep, a t-shirt and 3 exhibtions. An honorable mention for the woodcut guitar that while started in 2012 was finally finished this year.
Also a big shout out to my friends in Harmony & High Tension for asking me to illustrate their records. It was an Honour!
Thanks to everyone for the kind words, comments and all round support towards all this. I hope your year was as good as mine and that next year will be better for us all.
So my band No Anchor are playing one more show here in Brisbane before we go on something of an extended break – an indefinite hiatus if you will. Our show which is this weekend is with a Melbourne named Clowns who are definitly in the skate-punk vein of music. Now while No Anchor might not work under that genre title I figured I would make something cool as a parting gift to the folks (well one lucky punter) who come to the show as well as something fun for the night.
Then I used some of my favourite artwork associated with the band, the logo designed by Murdoch Stafford alongside the cover image from our third album Real Pain Supernova. Now I hate carving modern skateboards – mainly because it is not a flat surface which adds a greater chance to screw it up as well as the 7-ply maple wood being as tough as nails to carve into.
…but a day or two of carving and there you have it!
Because I mainly just use what is around me to make something, I used my mat black printing ink to cover the board and then coated it with a sealant.
I think it turned out great. The purple dye of the woodgrain came up really well under the black coating.
And for one little extra I decided to put the headstocks of my bandmates instruments into the griptape. It is common to make a marking to help identify the top and the bottom of the board and because No Anchor has two bass players I thought it appropriate to use Ian’s Rickenbacker and Donnie’s Peavy.
This is the 8th skateboard I have customised and my only wish is that the person who wins it at the show on Saturday actually skates it and scratched the hell out of it. As much as it’s art – to me it’s a skateboard and I hope it is treated like one!
So I have been working hard at a new musical project (commonly known as a band) since February this year. It has been a huge amount of fun and I really don’t want to start playing gigs because it’s so cool just getting in a room and writing, refining songs and really just making a lot of noise with really great friends.
But as it goes, you tell other friends about the band and then other friends want to hear the band and so forth… Which eventually leads you to making a demo of your songs. Well, the recording side of the demo was made a few weeks ago which left the obvious question of how to distribute what we’d recorded. Sure, putting a digital file up on the internet would have been the easiest and zero dollar option but where is the fun in that? No I was hoping my bandmates would let me make something more tangible – even if it was just for us to keep.
Well making CDs was definitly the cheapest and quickest physical option available so over the last few weeks I’ve been toiling away at making something attractive to house our recording. Here is what I cam up with.
Obviously the woodblock looked a lot nicer before I printed the heck out of it. Still, the little Calavera character that I carved out was mighty tricky simply because he was no bigger than my thumb. Still some handy work with a surgical scalpel got me what I was wanting…
And here is the cheeky little bugger printed:
Then came the task, fun at first but not so after some 8 or 9 hours of printing the coverart onto the custom made sleeves I got from Stumptown Press
And so now (after some handy folding and burning of CDs) my bandmates and I have 50 copies of our first recording. I love making these things and really I hope it never changes so long as I have music to share with my friends.
There’s so much happening that I might need to break things up into several posts. Heaven forbid I find the time to fill you in more regularly…
So my recent idea to turn one of my latest woodcuts into an affordable and comfy t-shirt was a resounding success and so a huge shout out of thanks has to go to everyone who snapped one up! I had a few extra made up and so there will be another chance to get your hands on one but more of that soon.
A big thanks goes to Matt Deasy of 7th Disaster for doing such a great job on the screenprinting of these. Really people, look him up for anything you want hand printed!
So a while back I said to stay tuned because I had lots of things happening before the end of the year. Well it’s all happening now.
I recently received the vinyl version of the debut album by High Tension when they came up to launch the album. Sure it looked great on the cd (see post below) but boy doesn’t it look better nice and big on vinyl? Stoked!
And just last weekend I got my hands on the latest 7inch single by Melbourne band Harmony of which I (again) did the cover art for.
It is the band’s third 7inch and the prelude to their second album which is out early next year through Posion City records. The band’s guitarist/vocalist/all-round-great-dude Tom Lyncoln is into sharks and so asked for a shark from me. Who am I to refuse? And so it was.
Here are all of the band’s singles, with the cover art for all of them done by me. Happy doesn’t even start to explain what it means to look at all these together.
Sometimes doing artwork for great bands feels better (even though it is harder) than carving and making prints for myself but none of that comes even close to when something like this happens…
This is my friend Robb. Great guy and really talented musician. He recently took off to travel the world but just before he left he told me he wanted something that would remind him of home and this is what he wanted.
Obviously the print represents something personal for him but I do find if nice that the Currawongs that hang around my house, gave me the feathers in question and that I captured in this print have unknowingly traveled so far.
That’ll do for now. More news soon.